More About Wii…

Solving Multiple Problems with Bubbles

Iwata
Quite some time has passed since New Super Mario Bros. Wii came out. This time, instead of talking about all the challenging stories of development, I'd like to ask about what you have heard our customers say about it.

But first I'd like you all to introduce yourselves, including what you worked on for New Super Mario Bros. Wii.
Asuke
Okay. I'm the director, Asuke from the Entertainment Analysis and Development Division (EAD). This time, we wanted to make a Mario game that everyone could play together, so we aimed at a game that both people who are good at video games and people who aren't so good could play together.
Ikkaku
I'm Ikkaku from EAD. For New Super Mario Bros. Wii, I was in charge of stage creation—mapping and level design—and adjusting the difficulty level.
Mukao
I'm Mukao from EAD. This time, I was in charge of putting together landscape and background graphics. I tried to make graphics that would make for ease in gameplay for our customers and wouldn't disappoint their expectations.
Iwata
Meeting people's expectations mean battling a fair amount of pressure. That's what's hard about making something with tradition.
Mukao
Yes. I think lots of designers have struggled against the pressure of making something with this much tradition. We asked lots of people for advice and received lots of help.
Uchida
I'm Uchida from EAD. I was in charge of sound programming and creation of sound effects. I, too, fought against a certain pressure, or the weight of tradition this time. (laughs)
Iwata
It sounds like we're going to automatically slip into talking about how challenging development was! (laughs)
Uchida
Oh, sorry. (laughs)
Iwata
All right, if there's anything you've heard about the game from people around you that has made an impression on you, tell me about it.
Asuke
I'll start. I experienced something this time that, personally, I found quite surprising, so I'd like to tell you about it.
Iwata
Go ahead.
Asuke
Just into the New Year, I was riding the train, and I saw a couple of young women in maybe their early 20s talking about video games.
Iwata
That in itself is quite surprising! (laughs)
Asuke
Yes. Lots of people were all around, but these two women were going on quite animatedly, and as I listened, I realized they were talking about New Super Mario Bros. Wii!
Iwata
Did you want to shout, "I made that game!" (laughs)
Asuke
The train was packed, so I couldn't. (laughs) As I listened, it seemed that one of the two women played together with her husband on a daily basis. The other girl acted like she hardly ever played video games at all.
Iwata
How did you know that?
Asuke
Because the other girl said, "You've been playing video games?!"
Iwata
Oh, okay. (laughs)
Asuke
She hadn't played games that much in the past, but she started playing New Super Mario Bros. Wii with her younger brother after he asked her to. She said she was always holding her brother back, so her character was always in a bubble and her brother would help her forward.
Iwata
That is the ideal thing to do when someone who's good and someone who isn't are playing together.
Asuke
That's right. But she hated relying on her brother all the time, so she opened up a file just for herself and started playing all on her own. When I heard that, I thought she would have trouble making progress on her own, since she was someone who didn't originally play games that much, but she said she had made it up to World 3.
Iwata
Wow, that's pretty good. I mean, with New Super Mario Bros. Wii, the challenging parts are pretty demanding right from World 1. I've heard a lot of people say things like, "Why so tough right at the start?!"
Asuke
That's right. The challenge is the real thrill of a platform game.
Iwata
But she made it to World 3.
Asuke
Yes. When she heard that, the other girl who played with her husband acted surprised and said, "Wow, you're really getting good!" When I heard that, I started smiling. (laughs)
Iwata
In a crowded train? (laughs) From a bystander you must have looked a little strange.
Asuke
Yeah. (laughs) I did do a small "all right!"
Iwata
You were so happy, you did a little fist pump in that packed train. Anyway, since it came up I'd like to ask, how did the bubble system come about?
Asuke
During development, when we started experimenting with four-person play, we actually played the game together that way. There were times that I messed up and fell into a hole and was the only one unable to keep playing. When that happened I thought, "Man, I wanna get back in the game!"
Iwata
Everyone else was playing and having a good time, but you had messed up, so you were stuck twiddling your thumbs.
Asuke
Yes. So I thought about whether there was a good way for players to get back into the game quickly. But if you mess up, you need to incur some kind of penalty, even if you return to the game right away. We thought if you reappeared in a bubble and couldn't start playing again until someone popped it, that would be a good penalty.
Iwata
I see. And it would let players know, "If you get out here, you'll just mess up right away." So its importance is twofold.
Asuke
Right. If someone who isn't that good at playing returns in a difficult spot, they'll just mess up again. We made it so that you're in a bubble until someone pops you out, after you've been taken to a safe place.

Then later we thought of adding the ability to put yourself in a bubble anytime you want. You will suffer a penalty just like when you lose a turn, but you can have someone who is good at the game pull you forward. This was just like what Miyamoto-san is always saying about ideas.
Iwata
An idea is "something which solves multiple issues at once."1
Asuke
Right. I thought that was exactly what had happened.
1 For "The Definition of Idea", a conversation between Mr. Iwata and copywriter Shigesato Itoi, see here.

Iwata
I do think the bubble idea was an example of very good game design.
Asuke
At first, though, we weren't going to use bubbles, we were going to have people appear out of Question Blocks.
Iwata
You mean, the way mushrooms pop up out of blocks, players would rise up out of them.
Asuke
That's right. If you lost a turn, you would be hidden in a block. When another player hit that, you would come out of it to go back to the stage. And that was sort of fun.

But as we continued making a bunch of different courses, some had lots of Question Blocks and some hardly had any. Players' desire to get back into the game as soon as possible, however, wouldn't change with the course.
Iwata
Seeing yourself in a bubble and waiting for a Question Block to finally appear would feel completely different to the player who is waiting.
Asuke
Yes, completely different. When you're in a bubble, everyone can see you, so you're like, "Hurry up and pop me! Help!" But if you're hidden in a Question Block somewhere, you're like, "I've got a feeling.....that I'm in that block" (laughs)
Iwata
You can't be sure.
Ikkaku
Then what if you hit it and only get one Coin?
Asuke
Depressing, huh? (laughs)
Ikkaku
Yeah. Both players would be pretty bummed. (laughs)
Iwata
Coming out of a Question Block might have been all right because it provides a pleasant surprise, but design-wise, having both the helper and helped get depressed isn't so great.
Asuke
That's exactly right.